![]() ![]() And I have to imagine Fischer burned a few bridges as Hollywood stars and studio executives saw themselves in the movie’s barely fictionalised facsimiles.Īnd it’s that barbed cynicism that means Postcards From the Edge can get away with good old fashioned sap at the end. Postcards From the Edge never shies away from the narcissistic, insecure, fragile egos that make that town and industry tick. I especially love watching the more barbed, cynical looks at Hollywood. And I love watching movies about Hollywood. Hollywood loves making movies about Hollywood. Knowing that she grew up in Hollywood, the daughter of Debbie Reynolds, and that she had her own public battles with substance abuse, only makes the wackier, more extreme moments of this movie seem more believable in their absurdity. But it’s hard when the movie studio’s insurance policy dictates that she lives under the care and supervision of Doris.īased heavily on the real life Carrie Fisher, who wrote the book and screenplay, Postcards From the Edge has a stranger than fiction quality about it. With a job on a low rent cop movie, Suzanne tries to rebuild her life. ![]() A former movie star and lifelong diva, it’s clear that Doris may have taken her own fame, and that of her daughter, more seriously than being an actual mother. Suzanne’s early progress in rehab takes a hit with the arrival of her mother, Doris Mann ( Shirley MacLaine). Waking up in a hospital bed, all the doctors can tell Suzanne is that a man abandoned her in an emergency room, and that she has been checked into rehab. ![]() Instead of hearing his criticism and getting her act together, Suzanne goes home with a stranger ( Dennis Quade as Jack Faulkner) and proceeds to overdose on pills and cocaine in his bed. After ruining a long take on the set of a movie, actress Suzanne Vale ( Meryl Streep) is read the riot act by her director ( Gene Hackman as Lowell Kolchack) for being high. ![]()
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